“We are still considering L******** C*** if we are denied our trademark again.” 7 Questions with Whitney Petty and Molly Sides of Thunderpussy.

When I started going to live concerts frequently in the area, the first non festival show I went to headlined by local performers was Night 1 of Thunderpussy’s 2016 New Year’s Eve Party at Neumos. I had heard part of their set at that year’s Capitol Hill Block Party and was very eager to see a full performance. That New Year’s Eve show not only kicked off my fandom of Thunderpussy, but also kicked off my fandom for local music. Since then I’ve attended 20 plus Thunderpussy shows, have attended their New Year’s Eve show each year for the past 4 years, and have become a proud member of their local fan group. I was very happy to get the chance to interview lead vocalist Molly Sides, and lead guitarist Whitney Petty. Here’s my short interview with members of the band Thunderpussy:

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1.) Let’s start with the name. I’ve been a fan of the band since Capitol Hill Block Party 2016. I heard you folks killing it at the main stage and once I heard the band name I was hooked. Where did the name Thunderpussy come from? Were there any failed or “possible” band names you guys had thought of before deciding on Thunderpussy?

Whitney: Well, we are still considering Lightning Cock if we are denied our trademark again. Also thinking of starting a side band called, “Feelie Dan,” for weddings and bar mitzvahs, that type of thing. I think the only one that ever came close to competing with Thunderpussy was, “Hottie Couteratti,” but Thunderpussy is just too good. It really stuck hard and fast when I first threw it out to Molly as a joke for the first time.

2.) Regarding the outfits, where does the band’s fashion sense come from? The outfits have always been fantastic. Is there a theme for each show or does one band member find an awesome outfit and the bandmates (kind of) coordinate accordingly?

Molly: That’s something I really enjoy doing. I come up with a theme, color scheme and draw up sketches to send to our costume designer, Pakio Galore. We meet often and talk fabrics, designs, alterations and then he goes wild. We spend a lot of time at JoAnn’s! On tour, I bring a bedazzling kit, because I love to source fabrics and outfits and then alter them on the road. Or I’ll being those treasures home and take them to Pakio where he can reuse the fabrics for something more elaborate. Tour is basically an excuse to go vintage shopping 😉

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3.) Having been a fan for a few years, I feel like every time I hear some Thunderpussy News, it’s always something impressive, be it the first time KEXP played your songs on air, Mike McCready mentioning the band during Pearl Jam’s Hall of Fame induction, the “Danger Diva” film, SXSW, etc. What do you feel has been the most “Oh my Gosh!” moment of this journey?

Whitney: Jeez there are so many. Most recently, I would say getting to meet Tanya Tucker at an event in Seattle. Holy shit. I have been a big fan since I was a little girl and she is a fucking legend. Before that it was going in the studio with Chad Smith. What an incredible person and one of the greatest drummers ever.

Something I like to do to create a through-line for all the folks I interview that I ask the prior interview subject to provide 3 blind questions for the next interviewee with no knowledge as to who I would interview next. These next 3 questions were provided by my last interview subject local drummer, Andy King. Andy asks:

4.) What’s your favorite tour food?
Whitney: Popcorn

5.) What seat do you like in the tour van the best?
Whitney: The way back

6.) Do you listen to music or do you like quiet on the drives?
Whitney: Music!!

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7.) For my final question, I’ve attended the Thunderpussy New Year’s Eve show for the past 4 years. The line up this year looks insane and I know it’s going to be another great time. If you were going to pitch the show to someone who had no idea who you or anyone on the line up were, what would you say, what should they expect, and what set this year’s show apart from other years?

Whitney: Well, speaking of costumes, I am especially excited for mine this year 😉

We are experimenting with color, lights, and fog a bit more. I’m very excited for what our lighting designer is working on!! Also, musically, we are playing a LOT of new stuff which is always very exciting for us. We consider these New Years shows to be the one time each year that we can really put together the stage show the way that we want it, all the elements that we can’t afford to take on the road (yet!), so it’s like an incubator for future ideas. We always try to push ourselves on NYE.

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I have to thank Whitney and Molly for taking the time to answer my questions. Check out Thunderpussy’s debut album Thunderpussy and their latest EP Milk It. For more Thunderpussy news follow them on social media and keep an eye out for future Thunderpussy events near you

Bringing in the New Year with Thunderpussy, BEAR AXE, Constant Lovers, and Trash Fire!

For the fourth year in a row, I attended the Thunderpussy New Year’s Eve Party at the Showbox.  The theme of the night was “The Glow of Neon Sax” and attendees were encouraged to wear their neon best for what was sure to be a memorable night.  The lineup was stacked with some of Seattle’s most entertaining performers headlined by the night’s hosts, Thunderpussy.  I’ve always loved these Thunderpussy New Year’s Eve shows.  They’re always high energy and a great way to welcome the New Year.  This year’s show was no exception.

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When I heard Trash Fire was going to open for Thunderpussy, I was excited.  This was my fifth time seeing them perform live.  Normally their sets are punctuated by some fun onstage antics like grabbing drinks and splashing the crowd with alcohol, using props like inflatable cats or a cash shooter, or the lead singer jumping into the audience to bring the show directly to crowd members.  This set had the feel of a classic Trash Fire performance, but a little more toned back.  There wasn’t much drink throwing, but there was still the audience engagement.  Highlights of the set saw the lead singer give the light up LED shoes directly off his feet to someone in the audience, the lead singer run to the bar during a song, order three shots and proceed to drink shots with the bass player and the lead guitarist, and in a particularly unique moment the lead singer laid down on stage his head going into the hands of nearby audience members, stand up quickly only to get some bracelets stuck in his hair, and rather than pull the bracelets out, he continued the performance with these elastic bracelets hanging from his hair.  As always they were fun and spontaneous.  If you get the opportunity, I recommend checking out Trash Fire.

Constant Lovers
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This was my first time seeing Constant Lovers perform and I was pleasantly surprised.  I would describe their set as a dynamic mix of rock and hard rock featuring a lead singer switching between vocals, percussion, and saxophone.  The lead singer’s ability to switch between instruments while also providing vocals was impressive.  If I didn’t see it live, it’s almost hard to believe how well he was able to pull this off.  Constant Lovers more than provided the necessary “Glow of Neon Sax” the night was themed after.

BEAR AXE
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If there was any Seattle band I would put money on breaking out of the Seattle music scene within the next year or two, it would be BEAR AXE.  I’ve seen BEAR AXE perform four times and all four times, I was left in awe of the performance led primarily by lead vocalist Shaina Shepherd.  Her ability to command the stage is one thing, but the power of her vocals will make anyone a fan.  The rest of the band are nothing to sleep on as well.  The lead guitarist’s ability to play off the driving beat of the bass player and drummer really add a very jazz inspired quality to what I would otherwise describe as a soul/ funk/ hard rock amalgamation.  Throughout their set BEAR AXE welcomed several local standouts including Terry Monstrosity and Kathy Moore To join their performance.  If you haven’t already, check out BEAR AXE.

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Personally I’ve seen Thunderpussy perform over twenty plus times.  This past New Year’s Eve show the band accomplished to create something that felt new and fresh.  When you go to a Thunderpussy show, there’s no question that you’re seeing a Thunderpussy show.  There’s going to be hard rock with an emphasis on great musicianship, strong vocals, innate sexiness, and of course high energy.  What made this performance stand out was what felt like a real emphasis on staging.  The use of lighting, and how their wardrobe can play off that lighting, really added another layer to their performance.  It’s because of this lighting and focus on staging, the audience was treated to a performance different from most other Thunderpussy shows.  In terms of the set list, I like that they incorporated a lot of new songs into the mix.  Hearing songs debut for the first time is one thing, but hearing some of their standards played in a sort of montage mid set as well as hearing the songs featured on their latest EP “Milk It” shows a band that’s willing to let their sound evolve.  The set closed with members of the opening bands and several special guests (including Eva Walker from the Black Tones) taking the stage to perform in one massive jam session beginning with a cover of “We Belong” and closing out with a cover of “Jump Into the Fire”.

Overall, I felt very happy bringing in the new year with Thunderpussy.  You would think seeing a band perform on New Year’s Eve four years in a row would get kind of stale, but really it’s become a pretty awesome tradition.  I always try to bring a friend who’s never been to a Thunderpussy show along with, and every time the freind is blown away looking to snag merch and trying to find out when the next show is.  I think that’s why I’ve been a Thunderpussy fan for so long.  They have a captivating quality that leaves the audience wanting to see them perform again.

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Thanks for the great time, Trash Fire, Constant Lovers, BEAR AXE, and of course, Thunderpussy!

 

CakeInTheRain206’s 15 Best Photos of 2019

This blog is an offshoot of my Instagram: Cakeintherain206.  I wanted to practice my writing skills alongside my photography skills.  Instagram is a great platform to practice both writing and photography skills, but long form writing should be done on a blog.  All the photos on my posts, except for some of the promo images provided by the artists were taken by me with my cell phone.  To check out more of my photos and videos, check out my Instagram: Cakeintherain206.  Here are 15 of my favorite shots from the year:

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Greta Van Fleet – 1/10/19 – The Paramount

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Amyl and The Sniffers – 3/18/19 – Barboza

20190608_233255Tacocat – 6/8/19 – The Showbox

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The Comet is Coming – 6/20/19 – Barboza

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Mitski – 7/20/19 – Capitol Hill Block Party 2019

20190719_215419Bear Axe – 7/20/19 – Capitol Hill Block Party 2019

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Fucked and Bound – 8/24/19 – Linda’s Fest 2019

20190830_190825Sol – 8/31/19 – Bumbershoot 2019

20190901_150628Kolars – 8/31/19 – Bumbershoot 2019

20191009_230043Starcrawler – 10/9/19 – The Crocodile

20191013_220945Banners – 10/13/19 – Chop Suey

20191017_223606Grizz – 10/17/19 – The Paramount

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Maiah Manser – 10/30/19 – Barboza

20191106_212544The Paranoyds – 11/6/19 – Barboza

IMG_20191122_200703_288Crushed PBR – 11/22/19 – Lost Lake Cafe

“My goal is to always learn more and to always improve. Drinking did not help that for me.” 7 Questions with Andy King

If you’ve spent time in the Seattle music scene, there’s a good chance you’ve seen drummer Andy King perform.  Andy is one of the Seattle music scenes most dynamic performers.  As of this writing, reviewing photos and videos I’ve taken at shows, I’ve personally seen him perform in 9 different bands ranging in styles from punk, alternative, and overall, rock.  On January 9th, Neumos will be hosting the 3rd Annual Andy King Drum Marathon, in which Andy will perform sets with 4 of his current bands.  The first Andy King Drum Marathon, he reportedly performed for 5 hours straight (with slight breaks to change out equipment).  For $8 (plus fees) you can see Andy attempt this event for a third consecutive year, and all proceeds for this event will benefit SMASH! which aims to provide affordable healthcare and dentalcare to local musicians.  I had the opportunity to speak to Andy.  Here’s my short interview with Seattle drummer, Andy King:

1.) Thanks for doing this Andy, now I’ve seen you perform with Dust Moth, Reader, Trash Fire, and a number of other bands in the area. I’ve always been curious, how many bands are you currently a member of and can you name them all?

Right now I play for Reader, Subways on the Sun, Trash Fire and jjjacob jjjames

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Trash Fire

2.) Ringo swings, Charlie Watts rocks, and John Bonham does his own thing. I’ve seen you perform primarily in rock bands but then there’s something like King Snake, which I feel like is its own thing. Kind of going off the last question, how would you describe your drum style?

My favorite drummers are Matt Cameron, Steve Gadd, William Goldsmith, Matt Chamberlain, Jimmy Chamberlain, Dave Grohl and Neil Peart and I feel like I absorbed ideas from all of them when I was young and play a good rock beat 🙂

3.) Congratulations on being 3 years sober! That’s a great accomplishment especially being in a profession where “non sobriety” is very prevalent. What advice do you have for folks who are also trying to pursue a sober lifestyle?

Thank You 🙂 getting sober is a very personal thing but if someone wants to quit and thinks they have a issue with a substance I would tell them don’t be afraid to ask for help, for me personally getting sober has helped me face problems I was numbing out and it has helped me grow into the person I really am and play at the level I should play at. Things have become more clear the cloudiness is gone. My goal is to always learn more and to always improve. Drinking did not help that for me.

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King Snake X Zoolab

These next 3 questions were provided by my last interview subject, The Brooke and The Bluff.  The Brooke and The Bluff ask:
4.) What is one thing you need on tour that you can’t live without?
Probably a good book to read most likely about aviation.

5.) What do you like to do with your downtime in a new city?
See if there are any aviation museums near by and check out the book stores 🙂

6.) If you could tour with any band or artist who would you go with on the road? Why?
It would be fun to open for the Foo Fighters 🙂 they seem like they would be fun and the shows would be rad 🙂

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Mirror Ferrari

7.) For my last question, I follow you on Instagram and you’re a big fan of planes and aviation. If someone was visiting the area and also had a similar love of planes and aviation, what are three essential things you recommend they should check out (events, museums, exhibits, etc.) and why?

If you like airplanes go to the Museum of Flight right by Boeing field, The Flying Heritage Combat Armor Museum in Everett or the Heritage Flight Foundation in Everett.

 

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I have to thank Andy King for taking the time to answer my questions.  You can catch Andy perform with all of his current bands listed above at the 3rd Annual Andy King Drum Marathon.  All proceeds will benefit SMASH!.  You can also catch Trash Fire open for Thunderpussy this New Years Eve at the Showbox (this line up is insane).

CakeInTheRain206: 10 Favorite Albums of 2019

10 – [USA] by Anamanaguchi
I heard about this album from an Instagram post by one of my favorite artists, Porter Robinson.  I gave it a listen and fell in love.  It’s dance music.  It’s chiptune.  It’s music in the same vein as Kero Kero Bonito, Porter Robinison and Madeon.  I’m excited to see them when they come to the Crocodile in March.

9 – WHEN WE ALL FALL ASLEEP, WHERE DO WE GO by Billie Eilish
It’s hard to describe what makes this album so interesting.  It’s like a combination of the best versions of the music tropes of 2019.  At times it’s like listening to ASMR, while other times it feels like mumble rap, and then out of no where she’s sampling “The Scarn”.  The quality I enjoy most about Billie Eilish is that she credits her brother, Finneas, for co -writing the bulk of her songs.  It’s admirable that she lets people know about his contribution.

8 – Four of Arrows by Great Grandpa
When my brother told me that Great Grandpa put out one of the best albums of the year, I was pretty skeptical.  I like Great Grandpa (pictured above), I’ve seen them perform at least 4 separate times, but a contender for album of the year?  I sat down, listened to the album and was pleasantly surprised.  Four of Arrows comes out of no where and can easily contend with the best albums of 2019.  It’s a little cliché, but this album sounds like a band coming into their own, and finding their own sound.

7 – Bandana by Freddie Gibbs & Madlib
When it comes to hip hop, I’m not a fan of mumble rap or a lot of modern non lyric/flow driven artists.  I like artists that can spit, have a somewhat cohesive message, and have a back beat that folks can get down to.  This album is smooth.  The beats, samples, and production of Madlib back the great lyrical style of Freddie Gibbs.  Bandana stands as one of the best rap albums in recent memory.  I highly suggest checking out their NPR Tiny Desk Concert.

6 – On the Line by Jenny Lewis
This album feels personal.  It’s as if Jenny Lewis wanted to indirectly send messages to loved ones in relatable songs that feel like a friend reminiscing.  The song structures, although fairly simplistic, are generally sweet.  The album is really just easy going music that doesn’t feel overwhelmed by production.  The lyrics and Lewis’ voice are the showcase here.

5 – Titanic Rising by Weyes Blood
I’ve always been a fan singer songwriters. This album sounds like a 70’s singer songwriter reminiscent of Karen Carpenter or Janis Ian decided to write an album describing being a young adult today and also the direness some of the “crisis” our generation has seemingly grown up with. There are so many songs folks from my generation can relate to while listening to this album. As time goes by, this will be an album folks will point to as a snapshot of what life was like for young adults right now, a mix of burnout and hopefulness.

4 – Champion by Bishop Briggs
I don’t think there is any other way to describe this album than a quote from National Public Radio’s (NPR) All Songs Considered podcast.  In a review of the album, the host said “This is a breakup record and there’s kind of two directions you can go with a breakup record – you can go very, very inward or you can go very, very outward.  I think she finds a way to do both.  She’s able to tap into feelings of hurt and loss and pain, but channel them into these big, very empowerment-focused anthems that just shout from the rafters.  She manages to make a very rousing statement out of personal pain.”

3 – Father of the Bride by Vampire Weekend
This album feels like a Vampire Weekend reboot 6 years in the making.  The album has a lot of nature references, which I don’t recall being as prevalent in their previous albums.  The album also feels very future centric, and looking towards what’s next.  It serves as an aspirational and a hopeful vision of tomorrow. 

2 – Lux Prima by Karen O & Danger Mouse
This album sounds as if Danger Mouse heard there was a new James Bond film coming down the pike, and decided I would love to score that new movie, Karen O can provide vocals, here’s a demo of what we can offer. The production on this album is astounding. It really does sound like high budget film score. This is an album you put on when you want to relax with a cocktail.

1 – Cuz I Love You by Lizzo
You can’t deny how big of a star Lizzo has become in 2019 and this album proves it.  The one word I would use to describe this album, positivity.  This album is empowering and just brimming with feminist laced positive energy.  Lizzo took her life experiences and laid out for listeners how she uses those to drive her forward.  It’s a feel good album that has so many danceable hits that I wouldn’t be surprised if we heard songs from this album used commercially in ads and in regular rotation in nightclub mixes for years to come.

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Honorable Mentions:
Devour You by Starcrawler – This album feels like a sample of what it’s like seeing Starcrawler perform live, just youthful controlled sexy rock chaos.
This Mess is a Place by TacocaT – Only TacocaT can make pointed criticisms seem so danceable and fun.  This album feels like a hopeful yet fully aware snapshot of the time we currently live in.
There Existed an Addiction to Blood by clipping. – You have to show love to clipping. and this audio vampire story released around the Halloween season.
Dedicated by Carly Rae Jepsen – If you would have told me in 2012 that in 2019, Carly Rae Jepsen would release a better pop album than Taylor Swift, I would have thought you were crazy, but between the two releases, Jepsen’s Dedicated is a better album than Swift’s Lover.
Of the Deep Mystery by The Comet is Coming – You have to see these guys live.  It’s Jazz.  It’s Dance Music.  It’s rhythm that just doesn’t stop.  My favorite track Summon the Fire sounds like if Jazz and Techno had a child in an afro futuristic space station.

 

(Spotify Playlist with 10 songs from my 10 favorite albums)

 

 

“More voices mean more expression and for us that can only be a good thing.” 7 Questions with The Brook & The Bluff

From Birmingham, Alabama, Indie folk band The Brook & The Bluff are coming to Seattle Tuesday night (11/5).  The first time I heard The Brook & The Bluff, I had let Youtube go on autoplay while working remote.  The band’s smooth cover of the Childish Gambino song “Redbone” came on and I was impressed.  Listening to the band’s more recent offerings, songs like “Everything is Just a Mess” or “Hallways“, it’s hard not to get drawn in by the vocal magic this band seems to emanate.  With the release of their first full length album “First Place”, I had an opportunity to interview all four members of the band, Guitar player Alex Bolton, drummer John Canada, bassist Fred Lankford (all from Mountain Brook, Alabama), and vocalist/key and guitar player Joseph Settine (from Bluff Park, Alabama).  Here’s my short interview with The Brook & The Bluff:

1.) Most interviews I’ve read, talk about the origins of the band name, The Brook & The Bluff. I think it’s a great name. You’re quoted as saying, “I think we will always claim ourselves as a Birmingham band no matter what, it’s inherent in the name.”  Was that always the intention of the name, The Brook & The Bluff? Were there any rejected names that as a group you thought up, that still stick out today?

The Brook & The Bluff was definitely always intended to call back to where we’re from. When we started performing under that name, it was just Alec and I (Joseph) playing acoustic cover songs in Auburn, and it was actually the first name that we came up with. There had been another band we were in during our first couple years of school that was called The Freewheelers, and we considered that but ultimately wanted to be something new.

2.) I read that each band member has a choir background and in each song, there is an emphasis on the vocals. How does having a band where each member has a choir background affect the songwriting process? Would you say it’s an advantage or at times can it be a hindrance?

It is absolutely an advantage at all times. The voice is our only instrument that’s actually in your body, so we think it’s the most expressive when it comes to all of the different textures in the music. More voices mean more expression and for us that can only be a good thing. It really affects the songwriting process just as far as making sure we always have room within the song for more voices.

3.) I checked out the music videos featured on your YouTube channel. In one sense, some videos are simplistic in that it’s footage of the band performing the songs in what looks like a studio, however, a common trait is the unique filming style which mixes filters and at times a type of pinhole lens. It contributes an almost dreamlike quality to the video and really adds to the song. Where do the concepts for your videos come from? Is there a feeling you’re trying to evoke through these videos?

We originally wanted to try and have some type of performance video for the first three singles with a similar kind of thread visually, but have them shot in different places, so we reached out to our friend Drew Bauml to see if he’d like to shoot them and then gave him the space to create that dreamy aspect that you’re talking about. I really believe in letting people have as much room to create as possible, and we don’t know the ins and outs of filming, so we really let him run with it – sent him the songs and he was off.

These next 3 questions were provided by my last interview subject, Hip Hop artist Nick Weaver. Nick Weaver asks:
4.) Social media is a must for all DIY artists. Do you work to balance how much social media time you have every day? If so, what steps do you take?

Social media definitely is super important, which can sometimes be overwhelming for an artist. Our philosophy is basically not oversharing and staying genuine. People’s feeds are overflowing with so much of that “content” every day, so we don’t want to be part of all that noise and want to focus on the highlights and most important pieces to share.

5.) Name one artist who’s no longer alive that you wish could have seen perform. Why?

Donny Hathaway… and his live record is exactly why.

6.) Favorite pizza spot in your hometown?

Our favorite spot in Nashville, where we currently live, is Five Points Pizza. As for Birmingham that’s probably up for contention… Davenports, Salvatores and Tortugas are all really really great tho.

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7.) As my final question, as a band you folks enjoy trying the local cuisine and beers of each place you stop at while on tour. What city has the best food? What city has the best local beer? (Please include recommendations, if possible)

Our favorite food city is definitely Austin, Tx. Our friend and album art designer/designer for everything we do lives there and he’s taken us to so many places. I think the place we went to with the best pasta I’ve ever had is called Pettrucci’s. We also went to a taco truck out of an old school bus, I don’t remember what that was called. The best local beer city I think has to be Asheville, North Carolina and you could have any beer from there and it will be good.

 

I have to thank The Brook & The Bluff for taking the time to answer my questions.  I really hope you enjoy what Seattle has to offer in food (I recommend snacking on stuff at Pike Place Market), and what we have to offer in beer (can’t go wrong checking out the bars and breweries around Capitol Hill).  Check them out tomorrow night at the Columbia City Theater, and check out their album “First Place” wherever you get your music.

 

Tacocat Halloween 2019!

Aside from my 7am to 4pm Monday to Friday day job, last week was busy.  Monday, after work I went boxing, and then I attended Rhein Haus’ Super Meat Raffle Monday where in the span of a 2 hour period, they not only raffled off deli quality meat, but also raffled off high dollar gift cards.  I walked away with $90 in gift cards while a friend walked away with $170 in gift cards.  Tuesday was a family member’s birthday dinner.  Wednesday, after work I went to a pro wrestling screening at Rhein Haus, followed by Disney Villain Trivia at Optimism Brewery (4th Place), left with a friend for Drag Bingo at The Runaway, and closed out the night with a great concert at Barboza featuring Joza, Claire George, and Maiah Manser.

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Maiah Manser (above)/Claire George (below)

As much as I loved that show and would highly recommend all three performers, the highlight of my week was the Tacocat Halloween show on Thursday night.  Thursday was Halloween.  I was running on maybe four hours of sleep from the night before and decided I would go boxing after work.  After boxing I went to Starbucks and the café was rocking with a Halloween soundtrack.  The cashier after ringing up my coffee looked at me and said, “I got Cranberries on the brain.”  I looked at him confused, but it hit me after a few seconds, “Zombie” by the Cranberries was playing over the speakers.  I made my way to Neumos after finishing my coffee, and upon entering the room, I was immediately impressed by the stage set up.  The stage had sparkled cowboy boots with skeleton flamingos, a woman praying with heavy goth style makeup, a sparkly background with Tacocat and a spider on it, multiple cauldrons, tombstones, and an area in front of the stage barricaded off with a kiddie pool and tarp.

20191031_213951“Britney Spears Dance Break”

Dog Sister
Dog Sister took the stage a little after 8:30pm to open the show and provide entertaining vignettes between sets throughout the night.  Sporting several outfit changes, I found Dog Sister charming and her between set vignettes were fun if not a little manic.  The vignettes ranged from performing a spell/dumping leaves on the lead singer of Sundae Crush, to a “Britney Spears Dance Break”.  A more memorable vignette came near the end of the night when a mock Jeff Bezos was introduced, ushered into the kiddie pool where he was showered with garbage and eventually hit with a cream pie.  The cream pie hit so hard, the cream hit a number of the audience members directly behind him.  Dog Sister did a great job as the night’s MC and kept the fun going throughout the show.

Sundae Crush
The first opener of the night was Sundae Crush.  From a visual standpoint the band looked great.  The whole band was dressed in various costumes, my favorite being Britney Spears from “Oops I Did It Again” video.  Of the three acts, Sundae Crush was the act I was the least familiar with, but they definitely made a case to see them perform again.  The songs were fun.  Not to mention the lip creature who couldn’t navigate the stage and was essentially blind, why wouldn’t you want to check that band out again?

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Donormaal (above)/Sundae Crush (below)

Donormaal
I’ll be the first to admit, I was wrong about Donormaal.  I’ve seen Donormaal perform at least seven different times in the past three years.  She was normally the opening act for a headliner I was excited to see, and like I’ve done since the first show I attended, I make an effort to watch every performance on the card.  I always felt Donormaal was a mediocre performer and I didn’t understand why so many publications were giving her so much credit as the future of Northwest hip hop.  I saw her twice in 2019, and have to admit, I was wrong.  She killed it and I can totally see how she could be seen as the future of Northwest Hip Hop.  Donormaal announced she would be leaving Seattle soon, but as long as she performs as well as she did that night, then I know she is going to make splash wherever she ends up.

Tacocat
After a brief Raven Hollywood moment, and the Dog Sister vignette featuring the mock Jeff Bezos, Tacocat took the stage.  As they do every year, their costumes were impressive.  It’s hard to pick a standout of the group but I would have to lean towards either Emily as a spirit/ghost, or Bree who was the Space Needle.  It’s one thing to look impressive, but they both seemed like they were having some difficulty performing in their outfits (Emily with the wig and contacts, Bree kept adjusting her hat and the base of the tower kept hitting decorations).  Despite those minor difficulties, if there was a list of currently active Seattle bands that consistently put on solid fun memorable shows, Tacocat has to rank in the top ten, if not top five.  The sold out crowd danced and sang along to all the songs presented from the opening cover of “Zombie” by the Cranberries, to the various hits from their latest album “This Mess is a Place”.  It’s hard to pick single songs that jumped out from this set because the crowd was engaged the entire performance.  The “Zombie” cover was special.  Seeing how hard Lelah would bang on those drums on “New World” was memorable.  During “Bridge to Hawaii” there was an inflatable surf board, crowd surfed around the audience.  Seeing how much the songs from the latest album blended so well with the regular canon was impressive.

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Tacocat

Overall, that night was a lot of fun and energizing.  I did my best to get to sleep but still only got maybe four hours in before I had to get up for work the next morning.  Friday was my rest day.  Other than going to my day job and the gym, I stayed in Friday night and caught up on my sleep.  I feel like I did Halloween week right, and in large part I have to thank Tacocat and the other performers I saw that night.  I may have only gotten eight hours of sleep in two nights, but to see that level of talent two nights in a row, it’s hard to say that it wasn’t worth it.

 

For Photos and Videos of this performance, check out my Instagram: Cakeintherain206