“Lose sight of the shore, it’s never too late to go after what you want no matter the circumstance…” 7 Questions with Hip Hop Group, New Track City

In 2017, when I started going to live shows on a weekly basis, one of the first things I decided to do was post a picture or video on my Instagram from every set I attended.  After a month or two of doing this, a handful of bands started to reach out and ask if I had any interest in checking out their music.  New Track City was one of the first bands I remember reaching out.  Not only was I impressed by the work that brothers Bem and Chi Stone had already released, but I was impressed by how authentic they were.  Interacting with them on social media, listening to their music, and seeing them perform live, you get a sense that they’re being themselves and are willing to put in the work to be successful.  With producer Dru rounding out the trio and news of an upcoming album, I’m excited to see where this evolving hip hop group will go in 2020.  I had the opportunity to interview New Track City recently.  Here’s my short interview with New Track City:

1.) Each of your albums have a fairly distinct feel from one another. My introduction to New Track City was the “The Damn Gina Tape”, but the album I find myself listening to randomly on the regular at my day job is “Lose Sight of the Shore”. The album has the great flow from Bem and Chi Stone, but Dru’s production really makes that project shine. How did you approach the creation of “Lose Sight of the Shore” different from your other work? Was it business as usual or did you have a concept for what you wanted the album to be when it was completed?

Man, “Lose Sight of the Shore” came out in August, 2017 and we remember being like yo… This is our first album with all original production, everything from the ground up is gonna be all us. We wanted the sounds to be colorful with live instrumentation showing everyone who our influences are, a throwback album with new school inflections with the overall message of motivation. Lose sight of the shore, it’s never too late to go after what you want no matter the circumstance and we feel like we accomplished that.

2.) I’ve always enjoyed the group’s Instagram page. It’s a mixture of cultural pride, and a celebration of modern hip hop. Every now and again you’ll say “this artist is one of your favorites”, but I always wanted to know, who do you feel are the top three best hip-hop artists of all time and why?

Wow, well it would be different for all of us and it changes but we all agree on Jay Z, Kanye West, Outkast or A Tribe Called Quest depending on the day. Reason being, Jay Z is every rappers blueprint to greatness musically and in life. He says bars that make sense years after you first heard them. Kanye West because he shaped the sound of music time and time again and opened the door for folks like us to even pursue music plus, he’s witty as hell! Outkast because they may be the most unique Hip Hop Act of all time from style, to how they rap, to their overall sound. Tribe’s PRODUCTION IS EVERYTHING, so we had to throw them in there.

3.) Kind of going off the last question, I heard in past interviews you mentioned what music styles inspired your style. There are styles that definitely permeate in your work, definitely jazz (Duke Ellington, Billie Holiday, etc.), but what kind of blew my mind was that you gave shout outs to ABBA, and also mentioned trying to rap over Butterfly by Crazy Town. Do you feel that it’s important that emerging hip hop artists today should explore styles outside of hip hop, and who are your favorite go-to non-hip-hop artists?

It’s definitely important for Hip Hop acts to explore outside of the genre because although Hip Hop is running things, it incorporates everything! To us, it only makes sense to reach outside the genre because that’s how you develop your own sound and keep the culture fresh. We have a huge list of artists we listen to outside of Hip Hop. Amy Winehouse, Red Hot Chili Peppers, Joss Stone, James Brown, Davido just to name a few.

Something I like to do to create a through-line for all the folks I interview is I ask the prior interview subject to provide 3 blind questions for the next interviewee with no knowledge as to who I would interview next. These next 3 questions were provided by my last interview subject, Whitney Petty and Molly Sides from Thunderpussy. Molly and Whitney ask:
4.) If you had to choose one thing to go away forever, would you choose vegetables or the wind?
Well, since we need wind to create renewable energy, we’d have to say get rid of Vegetables because fruits would still exist so that would take their place.

5.) Would you rather be in the air or in water?
Flying in the Air!!!! On some Superman / Thor stuff, that would be INCREDIBLE!

6.) If you knew the world was ending in 48 hours what would you try to accomplish?
This question is insane! Where do we even start!?!?! We’d tell our family and friends we love them. Leave all our valuables to them. Take a final drive listening to our catalog, take in one last view of nature catching a beautiful sunset reflecting on the life we lived and then yeah. Go meet Nipsey and Kobe in the sky.

7.) For my last question, I heard in a past interview you mentioned movies and television were art forms that inspired some of your work. What are three must see films or television programs each of you recommend checking out?

Not a fair question, too many to name but if we had to. “Kill Bill”, “The Matrix”, ” Bad Boys 2” and “Rush Hour 2” and “Supernatural.” ‘Dragon Ball Z” dang this question! (lol)

I have to thank New Track City (Bem, Chi Stone, and Dru) for taking the time to answer my questions.  Check out their website for news and events, follow them on Instagram, Youtube, and other social media, and keep an eye out for their next album some time in 2020.

A Night with the Howard Jones Acoustic Trio and Rachael Sage at Benaroya Hall (1/28/2020)

Before the Howard Jones Acoustic Trio took the stage, the theater manager got on the mic and said, “Welcome to Benaroya Hall. We would like to remind everyone, please no flash photography during this live performance.  If you need help turning the flash off of your device, please ask the closest Millenial.”  The crowd laughed.  The Howard Jones Trio entered.  Howard gets on the mic and the first thing he says, “Before we begin, serious question, are there really any millennials in the audience tonight?”  Myself and five other people raised our hands.  The crowd laughed, while the band smiled.

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Tuesday night, I had the opportunity to see Rachael Sage and an acoustic performance from the Howard Jones Trio.  Howard Jones is an artist I would hear occasionally when riding in the car with my parents.  I don’t think people realize how many of his songs are still in circulation on radio stations that play 80’s hits, or are used random in television shows (pretty sure I heard a song or two of his in Family Guy).  I was pretty excited to see him perform live, and the prospect of seeing him play a full acoustic set had me intrigued.  I mean c’mon.  The guy performed at Live Aid (in 1985).  Who wouldn’t be at least a little excited?

Rachael Sage
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The night opened with Rachael Sage.  Her music style I would describe as a mix of pop, folk, and a little bit of country.  Rachael’s piano playing and her collaborator’s skillful violin playing blended well with her snaps and smooth vibrant voice.  The whole set was mesmerizing.  Her “stage patter” was fun and really made the show more personal.  Seeing how willing she was to let the audience know about her past relationship proclivities, or how she was a cancer survivor, really added another layer of expressiveness to her performance.  The lyrics of the songs already had feelings and themes of hope and perseverance, but hearing the perspective she was coming from, it was very reflective and if anything more captivating.  You could really feel the emotion in her performance.

The Howard Jones Trio
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Howard Jones is a seasoned performer.  You can tell he and his bandmates have been performing for years.  What I love about these acoustic sets, it allows for the performers to be more casual with the audience.  Hearing his admiration for Paul McCartney and Brian Wilson, his opinions about Ed Sheeran’s performance at Glastonbury, or how it feels to still make new music today, were just fun.  Regarding the music, he performed a handful of songs form his new album, two or three covers, and as a seasoned performer would, he played the hits.  Most of Howard’s hits were originally performed on synthesizers or contained some sort of electronic aspect to them, so seeing the creative interpretations of the songs by his acoustic trio really made the songs feel almost new and fresh.  I’m sure the audience loved the takes as many took the opportunity to sing along with Howard, which at times even took him by surprise.  The other members of the trio, Nick Beggs and Robin Boult, really stood out in their musicianship.  Beggs especially continually drew attention with how rapid he would play his instrument.  I was sure to pick up Howard’s latest album after the show wrapped.

Overall it was a very enjoyable evening.  Speaking from the perspective of one of the six millennials in the audience that night, I recommend checking out The Howard Jones Trio with Rachael Sage.  Millenial or not, I feel like there was something for everyone to enjoy at this show.

“We are still considering L******** C*** if we are denied our trademark again.” 7 Questions with Whitney Petty and Molly Sides of Thunderpussy.

When I started going to live concerts frequently in the area, the first non festival show I went to headlined by local performers was Night 1 of Thunderpussy’s 2016 New Year’s Eve Party at Neumos. I had heard part of their set at that year’s Capitol Hill Block Party and was very eager to see a full performance. That New Year’s Eve show not only kicked off my fandom of Thunderpussy, but also kicked off my fandom for local music. Since then I’ve attended 20 plus Thunderpussy shows, have attended their New Year’s Eve show each year for the past 4 years, and have become a proud member of their local fan group. I was very happy to get the chance to interview lead vocalist Molly Sides, and lead guitarist Whitney Petty. Here’s my short interview with members of the band Thunderpussy:

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1.) Let’s start with the name. I’ve been a fan of the band since Capitol Hill Block Party 2016. I heard you folks killing it at the main stage and once I heard the band name I was hooked. Where did the name Thunderpussy come from? Were there any failed or “possible” band names you guys had thought of before deciding on Thunderpussy?

Whitney: Well, we are still considering Lightning Cock if we are denied our trademark again. Also thinking of starting a side band called, “Feelie Dan,” for weddings and bar mitzvahs, that type of thing. I think the only one that ever came close to competing with Thunderpussy was, “Hottie Couteratti,” but Thunderpussy is just too good. It really stuck hard and fast when I first threw it out to Molly as a joke for the first time.

2.) Regarding the outfits, where does the band’s fashion sense come from? The outfits have always been fantastic. Is there a theme for each show or does one band member find an awesome outfit and the bandmates (kind of) coordinate accordingly?

Molly: That’s something I really enjoy doing. I come up with a theme, color scheme and draw up sketches to send to our costume designer, Pakio Galore. We meet often and talk fabrics, designs, alterations and then he goes wild. We spend a lot of time at JoAnn’s! On tour, I bring a bedazzling kit, because I love to source fabrics and outfits and then alter them on the road. Or I’ll being those treasures home and take them to Pakio where he can reuse the fabrics for something more elaborate. Tour is basically an excuse to go vintage shopping 😉

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3.) Having been a fan for a few years, I feel like every time I hear some Thunderpussy News, it’s always something impressive, be it the first time KEXP played your songs on air, Mike McCready mentioning the band during Pearl Jam’s Hall of Fame induction, the “Danger Diva” film, SXSW, etc. What do you feel has been the most “Oh my Gosh!” moment of this journey?

Whitney: Jeez there are so many. Most recently, I would say getting to meet Tanya Tucker at an event in Seattle. Holy shit. I have been a big fan since I was a little girl and she is a fucking legend. Before that it was going in the studio with Chad Smith. What an incredible person and one of the greatest drummers ever.

Something I like to do to create a through-line for all the folks I interview that I ask the prior interview subject to provide 3 blind questions for the next interviewee with no knowledge as to who I would interview next. These next 3 questions were provided by my last interview subject local drummer, Andy King. Andy asks:

4.) What’s your favorite tour food?
Whitney: Popcorn

5.) What seat do you like in the tour van the best?
Whitney: The way back

6.) Do you listen to music or do you like quiet on the drives?
Whitney: Music!!

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7.) For my final question, I’ve attended the Thunderpussy New Year’s Eve show for the past 4 years. The line up this year looks insane and I know it’s going to be another great time. If you were going to pitch the show to someone who had no idea who you or anyone on the line up were, what would you say, what should they expect, and what set this year’s show apart from other years?

Whitney: Well, speaking of costumes, I am especially excited for mine this year 😉

We are experimenting with color, lights, and fog a bit more. I’m very excited for what our lighting designer is working on!! Also, musically, we are playing a LOT of new stuff which is always very exciting for us. We consider these New Years shows to be the one time each year that we can really put together the stage show the way that we want it, all the elements that we can’t afford to take on the road (yet!), so it’s like an incubator for future ideas. We always try to push ourselves on NYE.

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I have to thank Whitney and Molly for taking the time to answer my questions. Check out Thunderpussy’s debut album Thunderpussy and their latest EP Milk It. For more Thunderpussy news follow them on social media and keep an eye out for future Thunderpussy events near you

Bringing in the New Year with Thunderpussy, BEAR AXE, Constant Lovers, and Trash Fire!

For the fourth year in a row, I attended the Thunderpussy New Year’s Eve Party at the Showbox.  The theme of the night was “The Glow of Neon Sax” and attendees were encouraged to wear their neon best for what was sure to be a memorable night.  The lineup was stacked with some of Seattle’s most entertaining performers headlined by the night’s hosts, Thunderpussy.  I’ve always loved these Thunderpussy New Year’s Eve shows.  They’re always high energy and a great way to welcome the New Year.  This year’s show was no exception.

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When I heard Trash Fire was going to open for Thunderpussy, I was excited.  This was my fifth time seeing them perform live.  Normally their sets are punctuated by some fun onstage antics like grabbing drinks and splashing the crowd with alcohol, using props like inflatable cats or a cash shooter, or the lead singer jumping into the audience to bring the show directly to crowd members.  This set had the feel of a classic Trash Fire performance, but a little more toned back.  There wasn’t much drink throwing, but there was still the audience engagement.  Highlights of the set saw the lead singer give the light up LED shoes directly off his feet to someone in the audience, the lead singer run to the bar during a song, order three shots and proceed to drink shots with the bass player and the lead guitarist, and in a particularly unique moment the lead singer laid down on stage his head going into the hands of nearby audience members, stand up quickly only to get some bracelets stuck in his hair, and rather than pull the bracelets out, he continued the performance with these elastic bracelets hanging from his hair.  As always they were fun and spontaneous.  If you get the opportunity, I recommend checking out Trash Fire.

Constant Lovers
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This was my first time seeing Constant Lovers perform and I was pleasantly surprised.  I would describe their set as a dynamic mix of rock and hard rock featuring a lead singer switching between vocals, percussion, and saxophone.  The lead singer’s ability to switch between instruments while also providing vocals was impressive.  If I didn’t see it live, it’s almost hard to believe how well he was able to pull this off.  Constant Lovers more than provided the necessary “Glow of Neon Sax” the night was themed after.

BEAR AXE
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If there was any Seattle band I would put money on breaking out of the Seattle music scene within the next year or two, it would be BEAR AXE.  I’ve seen BEAR AXE perform four times and all four times, I was left in awe of the performance led primarily by lead vocalist Shaina Shepherd.  Her ability to command the stage is one thing, but the power of her vocals will make anyone a fan.  The rest of the band are nothing to sleep on as well.  The lead guitarist’s ability to play off the driving beat of the bass player and drummer really add a very jazz inspired quality to what I would otherwise describe as a soul/ funk/ hard rock amalgamation.  Throughout their set BEAR AXE welcomed several local standouts including Terry Monstrosity and Kathy Moore To join their performance.  If you haven’t already, check out BEAR AXE.

Thunderpussy
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Personally I’ve seen Thunderpussy perform over twenty plus times.  This past New Year’s Eve show the band accomplished to create something that felt new and fresh.  When you go to a Thunderpussy show, there’s no question that you’re seeing a Thunderpussy show.  There’s going to be hard rock with an emphasis on great musicianship, strong vocals, innate sexiness, and of course high energy.  What made this performance stand out was what felt like a real emphasis on staging.  The use of lighting, and how their wardrobe can play off that lighting, really added another layer to their performance.  It’s because of this lighting and focus on staging, the audience was treated to a performance different from most other Thunderpussy shows.  In terms of the set list, I like that they incorporated a lot of new songs into the mix.  Hearing songs debut for the first time is one thing, but hearing some of their standards played in a sort of montage mid set as well as hearing the songs featured on their latest EP “Milk It” shows a band that’s willing to let their sound evolve.  The set closed with members of the opening bands and several special guests (including Eva Walker from the Black Tones) taking the stage to perform in one massive jam session beginning with a cover of “We Belong” and closing out with a cover of “Jump Into the Fire”.

Overall, I felt very happy bringing in the new year with Thunderpussy.  You would think seeing a band perform on New Year’s Eve four years in a row would get kind of stale, but really it’s become a pretty awesome tradition.  I always try to bring a friend who’s never been to a Thunderpussy show along with, and every time the freind is blown away looking to snag merch and trying to find out when the next show is.  I think that’s why I’ve been a Thunderpussy fan for so long.  They have a captivating quality that leaves the audience wanting to see them perform again.

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Thanks for the great time, Trash Fire, Constant Lovers, BEAR AXE, and of course, Thunderpussy!

 

CakeInTheRain206’s 15 Best Photos of 2019

This blog is an offshoot of my Instagram: Cakeintherain206.  I wanted to practice my writing skills alongside my photography skills.  Instagram is a great platform to practice both writing and photography skills, but long form writing should be done on a blog.  All the photos on my posts, except for some of the promo images provided by the artists were taken by me with my cell phone.  To check out more of my photos and videos, check out my Instagram: Cakeintherain206.  Here are 15 of my favorite shots from the year:

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Greta Van Fleet – 1/10/19 – The Paramount

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Amyl and The Sniffers – 3/18/19 – Barboza

20190608_233255Tacocat – 6/8/19 – The Showbox

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The Comet is Coming – 6/20/19 – Barboza

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Mitski – 7/20/19 – Capitol Hill Block Party 2019

20190719_215419Bear Axe – 7/20/19 – Capitol Hill Block Party 2019

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Fucked and Bound – 8/24/19 – Linda’s Fest 2019

20190830_190825Sol – 8/31/19 – Bumbershoot 2019

20190901_150628Kolars – 8/31/19 – Bumbershoot 2019

20191009_230043Starcrawler – 10/9/19 – The Crocodile

20191013_220945Banners – 10/13/19 – Chop Suey

20191017_223606Grizz – 10/17/19 – The Paramount

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Maiah Manser – 10/30/19 – Barboza

20191106_212544The Paranoyds – 11/6/19 – Barboza

IMG_20191122_200703_288Crushed PBR – 11/22/19 – Lost Lake Cafe

“My goal is to always learn more and to always improve. Drinking did not help that for me.” 7 Questions with Andy King

If you’ve spent time in the Seattle music scene, there’s a good chance you’ve seen drummer Andy King perform.  Andy is one of the Seattle music scenes most dynamic performers.  As of this writing, reviewing photos and videos I’ve taken at shows, I’ve personally seen him perform in 9 different bands ranging in styles from punk, alternative, and overall, rock.  On January 9th, Neumos will be hosting the 3rd Annual Andy King Drum Marathon, in which Andy will perform sets with 4 of his current bands.  The first Andy King Drum Marathon, he reportedly performed for 5 hours straight (with slight breaks to change out equipment).  For $8 (plus fees) you can see Andy attempt this event for a third consecutive year, and all proceeds for this event will benefit SMASH! which aims to provide affordable healthcare and dentalcare to local musicians.  I had the opportunity to speak to Andy.  Here’s my short interview with Seattle drummer, Andy King:

1.) Thanks for doing this Andy, now I’ve seen you perform with Dust Moth, Reader, Trash Fire, and a number of other bands in the area. I’ve always been curious, how many bands are you currently a member of and can you name them all?

Right now I play for Reader, Subways on the Sun, Trash Fire and jjjacob jjjames

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Trash Fire

2.) Ringo swings, Charlie Watts rocks, and John Bonham does his own thing. I’ve seen you perform primarily in rock bands but then there’s something like King Snake, which I feel like is its own thing. Kind of going off the last question, how would you describe your drum style?

My favorite drummers are Matt Cameron, Steve Gadd, William Goldsmith, Matt Chamberlain, Jimmy Chamberlain, Dave Grohl and Neil Peart and I feel like I absorbed ideas from all of them when I was young and play a good rock beat 🙂

3.) Congratulations on being 3 years sober! That’s a great accomplishment especially being in a profession where “non sobriety” is very prevalent. What advice do you have for folks who are also trying to pursue a sober lifestyle?

Thank You 🙂 getting sober is a very personal thing but if someone wants to quit and thinks they have a issue with a substance I would tell them don’t be afraid to ask for help, for me personally getting sober has helped me face problems I was numbing out and it has helped me grow into the person I really am and play at the level I should play at. Things have become more clear the cloudiness is gone. My goal is to always learn more and to always improve. Drinking did not help that for me.

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King Snake X Zoolab

These next 3 questions were provided by my last interview subject, The Brooke and The Bluff.  The Brooke and The Bluff ask:
4.) What is one thing you need on tour that you can’t live without?
Probably a good book to read most likely about aviation.

5.) What do you like to do with your downtime in a new city?
See if there are any aviation museums near by and check out the book stores 🙂

6.) If you could tour with any band or artist who would you go with on the road? Why?
It would be fun to open for the Foo Fighters 🙂 they seem like they would be fun and the shows would be rad 🙂

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Mirror Ferrari

7.) For my last question, I follow you on Instagram and you’re a big fan of planes and aviation. If someone was visiting the area and also had a similar love of planes and aviation, what are three essential things you recommend they should check out (events, museums, exhibits, etc.) and why?

If you like airplanes go to the Museum of Flight right by Boeing field, The Flying Heritage Combat Armor Museum in Everett or the Heritage Flight Foundation in Everett.

 

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I have to thank Andy King for taking the time to answer my questions.  You can catch Andy perform with all of his current bands listed above at the 3rd Annual Andy King Drum Marathon.  All proceeds will benefit SMASH!.  You can also catch Trash Fire open for Thunderpussy this New Years Eve at the Showbox (this line up is insane).

CakeInTheRain206: 10 Favorite Albums of 2019

10 – [USA] by Anamanaguchi
I heard about this album from an Instagram post by one of my favorite artists, Porter Robinson.  I gave it a listen and fell in love.  It’s dance music.  It’s chiptune.  It’s music in the same vein as Kero Kero Bonito, Porter Robinison and Madeon.  I’m excited to see them when they come to the Crocodile in March.

9 – WHEN WE ALL FALL ASLEEP, WHERE DO WE GO by Billie Eilish
It’s hard to describe what makes this album so interesting.  It’s like a combination of the best versions of the music tropes of 2019.  At times it’s like listening to ASMR, while other times it feels like mumble rap, and then out of no where she’s sampling “The Scarn”.  The quality I enjoy most about Billie Eilish is that she credits her brother, Finneas, for co -writing the bulk of her songs.  It’s admirable that she lets people know about his contribution.

8 – Four of Arrows by Great Grandpa
When my brother told me that Great Grandpa put out one of the best albums of the year, I was pretty skeptical.  I like Great Grandpa (pictured above), I’ve seen them perform at least 4 separate times, but a contender for album of the year?  I sat down, listened to the album and was pleasantly surprised.  Four of Arrows comes out of no where and can easily contend with the best albums of 2019.  It’s a little cliché, but this album sounds like a band coming into their own, and finding their own sound.

7 – Bandana by Freddie Gibbs & Madlib
When it comes to hip hop, I’m not a fan of mumble rap or a lot of modern non lyric/flow driven artists.  I like artists that can spit, have a somewhat cohesive message, and have a back beat that folks can get down to.  This album is smooth.  The beats, samples, and production of Madlib back the great lyrical style of Freddie Gibbs.  Bandana stands as one of the best rap albums in recent memory.  I highly suggest checking out their NPR Tiny Desk Concert.

6 – On the Line by Jenny Lewis
This album feels personal.  It’s as if Jenny Lewis wanted to indirectly send messages to loved ones in relatable songs that feel like a friend reminiscing.  The song structures, although fairly simplistic, are generally sweet.  The album is really just easy going music that doesn’t feel overwhelmed by production.  The lyrics and Lewis’ voice are the showcase here.

5 – Titanic Rising by Weyes Blood
I’ve always been a fan singer songwriters. This album sounds like a 70’s singer songwriter reminiscent of Karen Carpenter or Janis Ian decided to write an album describing being a young adult today and also the direness some of the “crisis” our generation has seemingly grown up with. There are so many songs folks from my generation can relate to while listening to this album. As time goes by, this will be an album folks will point to as a snapshot of what life was like for young adults right now, a mix of burnout and hopefulness.

4 – Champion by Bishop Briggs
I don’t think there is any other way to describe this album than a quote from National Public Radio’s (NPR) All Songs Considered podcast.  In a review of the album, the host said “This is a breakup record and there’s kind of two directions you can go with a breakup record – you can go very, very inward or you can go very, very outward.  I think she finds a way to do both.  She’s able to tap into feelings of hurt and loss and pain, but channel them into these big, very empowerment-focused anthems that just shout from the rafters.  She manages to make a very rousing statement out of personal pain.”

3 – Father of the Bride by Vampire Weekend
This album feels like a Vampire Weekend reboot 6 years in the making.  The album has a lot of nature references, which I don’t recall being as prevalent in their previous albums.  The album also feels very future centric, and looking towards what’s next.  It serves as an aspirational and a hopeful vision of tomorrow. 

2 – Lux Prima by Karen O & Danger Mouse
This album sounds as if Danger Mouse heard there was a new James Bond film coming down the pike, and decided I would love to score that new movie, Karen O can provide vocals, here’s a demo of what we can offer. The production on this album is astounding. It really does sound like high budget film score. This is an album you put on when you want to relax with a cocktail.

1 – Cuz I Love You by Lizzo
You can’t deny how big of a star Lizzo has become in 2019 and this album proves it.  The one word I would use to describe this album, positivity.  This album is empowering and just brimming with feminist laced positive energy.  Lizzo took her life experiences and laid out for listeners how she uses those to drive her forward.  It’s a feel good album that has so many danceable hits that I wouldn’t be surprised if we heard songs from this album used commercially in ads and in regular rotation in nightclub mixes for years to come.

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Honorable Mentions:
Devour You by Starcrawler – This album feels like a sample of what it’s like seeing Starcrawler perform live, just youthful controlled sexy rock chaos.
This Mess is a Place by TacocaT – Only TacocaT can make pointed criticisms seem so danceable and fun.  This album feels like a hopeful yet fully aware snapshot of the time we currently live in.
There Existed an Addiction to Blood by clipping. – You have to show love to clipping. and this audio vampire story released around the Halloween season.
Dedicated by Carly Rae Jepsen – If you would have told me in 2012 that in 2019, Carly Rae Jepsen would release a better pop album than Taylor Swift, I would have thought you were crazy, but between the two releases, Jepsen’s Dedicated is a better album than Swift’s Lover.
Of the Deep Mystery by The Comet is Coming – You have to see these guys live.  It’s Jazz.  It’s Dance Music.  It’s rhythm that just doesn’t stop.  My favorite track Summon the Fire sounds like if Jazz and Techno had a child in an afro futuristic space station.

 

(Spotify Playlist with 10 songs from my 10 favorite albums)