“To be an artist is to create your own happiness and surroundings…” 7 Questions with Perry Porter

August 31, 2020 — Leave a comment

One of my favorite local hip hop artists is Perry Porter. Perry is one of the few artists that’s recognized both for his hip hop ability and also for his work as a painter in the fine arts community. The first time I saw him perform was at the 2019 Capitol Hill Block Party. He had decorated the stage with tarps, easels, brushes, and a number of his paintings. As part of his set, he invited members of the audience to come up, and paint his clothes while he performed his set. It was as if we were at his mini art studio and he was the canvas. The show was great, his songs were fun, and it motivated me to continue following his work. His artwork is amazing as well and there’s a chance you’ve probably seen one of his murals around the city. This past Spring, Perry was part of the team of local Black artists who provided their talents for the “BLACK LIVES MATTER” street mural near Cal Anderson Park (Perry did the first “L”). His work also hangs in the office of former Seahawk, Marshawn Lynch. I reached out to Perry and had an opportunity to do a short interview. Here’s my short interview with Perry Porter:

1.) The first time I saw you perform live was last year’s Capitol Hill Block Party. At that set you invited the audience on stage to paint on you while you were performing. To me, it felt very punk rock in approach, especially when you decided to jump off the stage and try to make a mosh pit, while still covered in wet paint. What was your inspiration to have a show with this level of audience engagement?

Oh, Local punk shows for sure! I skated as a kid so my friends always brought me to wild ass shows (haha). I never knew the bands but I really enjoyed the energy. I’d also have to say hyphy music and crunk music played a really big part. Three6 to Mac Dre.

2.) I read a prior KEXP interview of yours where you talked about how, since you are both a modern arts painter and also a hip hop artist, that you at times will refrain from discussing both within the same circle. Like if you were at a modern art show, you might not bring up that you are also a hip hop artist. In the same interview you mentioned about how your works are an expression of your creativity and they just manifest as paintings and hip hop, but you’re open to trying movies or other mediums. I would say your work blends mediums, like the “color wheel” that accompanies your album “Bobby Ro$$”. It’s both fascinating and admirable. You’re an artist with definite ownership of his expression. With that mind, how would you personally define what it means to be an “artist”?

That’s a loaded question (haha). To be an “Artist” is to “create” and that can be as simple as the food you make to the house you build, down to the job you have. To be an artist is to create your own happiness and surroundings, ya know? That’s what I’ve learned from all this shit. I’ve got the freedom to explore my own thoughts and question my own behavior fully.

3.) Speaking about your paintings, everything from the “L” in the Black Lives Matter mural on Capitol Hill to the sketches you post every now and again on your Instagram, some of the common themes I see are a Black person intermixed with images of butterflies, sharks, striking colors, among other themes. Were there any artists that helped shape your style, and are there any underlying regular themes you try to express in your work?

Man, I’m pretty much inspired by every artist in one form or another, but here’s a few Kerry James Marshall, Nosego, Agnes Celie, James Jean and Soey Milk. Some underlying themes – The sunflower shark (Leo the LemonHead Shark) is kind of a self portrait, the grenade butterflies are a concept based off the idea “Butterfly in my stomach” Ya know? “love at first sight” vibes (haha).

Something I like to do to create a through-line for all the folks I interview is I ask the prior interview subject to provide 3 blind questions for the next interviewee with no knowledge as to who I would interview next. These next 3 questions were provided by my last interview subject, Claire George. Claire asks:
4.) What albums have you discovered lately that you love or old ones you’ve revisited?
Old Stuff: Jay-Z “Reasonable Doubt” , Curtis Mayfield “Superfly”, Snoop Dogg “Doggystyle”, Whitney Houston “Whitney”
New Finds: The Movers “Kansas City”

5.) What’s the funniest thing that’s happened to you on stage/tour?
We stopped at this one bar and the only black in the bar asked us why would we choose to stop here? And we should’ve kept going… lol, We stayed.

6.) If you could make a record with one other artist, who would it be?
Erykah Badu or Curtis Mayfield

7.) As my final question, something that comes up in previous interviews and also in some of your songs is a fandom for Anime. In your opinion, what is the best Anime of all time and why, and what is the most underrated Anime of all time and why?

Some of my favorites: Cowboy Bebop, My Hero Academia, Fullmetal Alchemist (Brotherhood), and Samurai Champloo.
Underrated: Paranoia Agent, Michiko and Hatchin, and Monster.

(I want to thank Perry Porter for taking the time to answer my questions. Check out Perry’s work on his website www.perrypaints.com/. T-Shirts, Art Prints, and Albums are all available on his site. Follow him on social media at “perrypaints“. Check out his albums “Bobby Ro$$” and “Grey” (in collaboration with Oldmilk) on all streaming platforms. And if you have an opportunity, check out his recent (streaming) performance at Refill Music Fest.)

“I feel in general my solo work feels more true to who I am as an individual.” 7 Questions with Claire George

March 29, 2020 — Leave a comment

When I go to a music festival I always do my best to discover new music. It’s one thing to go and hear your favorite bands but, unless you knew every act on a lineup, more than likely you’ll have gaps in your schedule. What I’ll do is chat up some of the crowd or some of the local photographers and ask who’s a performer I should check out today? It was Capitol Hill Block Party (CHBP) 2018. Of the people I spoke to, many suggested I check out Claire George. Prior to that CHBP performance, I had not heard of Claire, but after seeing her set I was mesmerized. Her set was a mixture of great vocals interplayed with synths, fascinating lyrics, and danceable beats. I was instantly a fan. Recently, I reached out to Claire and had an opportunity to do a short interview. Here’s my short interview with Claire George:

1.) The first time I saw you perform was at Capitol Hill Block Party 2018 as a solo artist, but through research it looks like you were the lead singer of an indie rock band called HEARTWATCH. Hearing your work as a solo artist and the music presented by HEARTWATCH, I’d say the two present very different music styles. Was it a challenge to transition to a solo artist, or was your solo work always something you had in mind and were hoping to get out?

It was definitely a challenge to create my solo work as I had never made music on my own, but I definitely feel it better represents my musical tastes and my life more. Learning how to produce electronic music on my own presented a lot of challenges for me but also felt the most rewarding because I put so much more of myself into making it. I felt pretty worried about the reception of the solo work after the band’s material, and there were definitely some fans who want me to make something less dark, but I feel in general my solo work feels more true to who I am as an individual.

Capitol Hill Block Party 2018

2.) Your latest release, “Alone, Together” and it’s quasi remix “Alone, Together (Forever)” are fabulous both in composition and message. “Alone, Together” was described on your site as the different seasons in the lifecycle of a failed relationship. I personally love how the song ends with a sense of hopefulness. On the flipside, “Alone, Together (Forever)” carries some of those same feelings, but is more reminiscent of Robyn’s “Dancing on my Own” in that it’s very danceable but with a very relatable message. Would you mind speaking to the creation of both songs?

I wrote the first version as a piano ballad by myself, but when my friend Josh from Yumi Zouma saw me perform it live he asked if he could help me produce it out. When we got into the session the song took on a whole new light and I loved it so much that I wanted to share both versions with the world. I like that the version that I wrote solo feels pretty isolated and intimate and the version with Josh feels much more collaborative and dancey, something you want to listen to with another person.

3.) Regarding your 2018 EP, Bodies of Water, one song in particular that pulled my attention was Orbits where you have these poetic lyrics of what sounds like recognizing potential but you also mixed in references to the Voyager space program (which launched a literal Gold Record into space). When it comes to song writing do you approach each song with intention in that “with this song I hope to convey (blank)” or do you let each song flow into what they eventually become in that there’s no real plan, it comes together on the page? How would you describe your approach?

I create both ways, sometimes with a general intention, sometimes with a phrase or idea in mind, and sometimes with a whole concept in place. Orbits came out with an intention for sure, and I knew I wanted to connect the romantic idea of the Golden Record into the song. A lot of my music comes from just sitting down and letting things spill out of me though. Sometimes when I try too hard to have a plan or intention behind it, it can feel forced, so I try to let things flow however they want once I sit down to write.

Barboza, October 2019

Something I like to do to create a through-line for all the folks I interview is I ask the prior interview subject to provide 3 blind questions for the next interviewee with no knowledge as to who I would interview next. These next 3 questions were provided by my last interview subject Icelandic Singer Songwriter Asgeir. Asgeir asks: (Claire: Love this!)
4.) When you were young – What did you want to become when you grew up?
Mariah Carey, but my own version haha! I was obsessed with her. I wanted to be a pop star when I was little, but that got buried for a long time and the desire to be an artist only came bubbling back up for me after college.

5.) What was the best advice someone gave you?
Start now, you will never again be younger than you are today.

6.) How do you think popular music will sound in 50 years?
I think we will be even more integrated with technology and perhaps there will be machines assisting in creation of music but I don’t like to think that they will take over the process completely. Perhaps we will have machines that can tune into our emotions and feelings and adjust/create music that suits us. I think there will be even further development in electronic music but will get the hang of making things sound more natural. We will probably have even busier more distracting lives so the songs may be even shorter and to the point than they are today!

7.) As my final question, I follow you on Instagram, and earlier this year you shared your first “Clairetoon”. Were these “Clairetoons” something you’ve always done, or something new you wanted try and share? Can we expect more “Clairetoons” throughout the year?

This is something new I’ve wanted to try out and share, and yes! I will definitely be sharing more throughout the year 🙂

https://www.instagram.com/p/B7bX2egFlr8/?utm_source=ig_web_copy_link

(I want to thank Claire George for taking the time to answer my questions. Check out Claire’s latest single, Alone Together, and the song’s remix, Alone Together (Forever), on all streaming platforms. Also check out Claire’s debut EP, Bodies of Water, also on all streaming platforms.)

“We are still considering L****** C* if we are denied our trademark again.” 7 Questions with Whitney Petty and Molly Sides of Thunderpussy.

January 5, 2020 — 1 Comment

When I started going to live concerts frequently in the area, the first non festival show I went to headlined by local performers was Night 1 of Thunderpussy’s 2016 New Year’s Eve Party at Neumos. I had heard part of their set at that year’s Capitol Hill Block Party and was very eager to see a full performance. That New Year’s Eve show not only kicked off my fandom of Thunderpussy, but also kicked off my fandom for local music. Since then I’ve attended 20 plus Thunderpussy shows, have attended their New Year’s Eve show each year for the past 4 years, and have become a proud member of their local fan group. I was very happy to get the chance to interview lead vocalist Molly Sides, and lead guitarist Whitney Petty. Here’s my short interview with members of the band Thunderpussy:

1.) Let’s start with the name. I’ve been a fan of the band since Capitol Hill Block Party 2016. I heard you folks killing it at the main stage and once I heard the band name I was hooked. Where did the name Thunderpussy come from? Were there any failed or “possible” band names you guys had thought of before deciding on Thunderpussy?

Whitney: Well, we are still considering Lightning Cock if we are denied our trademark again. Also thinking of starting a side band called, “Feelie Dan,” for weddings and bar mitzvahs, that type of thing. I think the only one that ever came close to competing with Thunderpussy was, “Hottie Couteratti,” but Thunderpussy is just too good. It really stuck hard and fast when I first threw it out to Molly as a joke for the first time.

2.) Regarding the outfits, where does the band’s fashion sense come from? The outfits have always been fantastic. Is there a theme for each show or does one band member find an awesome outfit and the bandmates (kind of) coordinate accordingly?

Molly: That’s something I really enjoy doing. I come up with a theme, color scheme and draw up sketches to send to our costume designer, Pakio Galore. We meet often and talk fabrics, designs, alterations and then he goes wild. We spend a lot of time at JoAnn’s! On tour, I bring a bedazzling kit, because I love to source fabrics and outfits and then alter them on the road. Or I’ll being those treasures home and take them to Pakio where he can reuse the fabrics for something more elaborate. Tour is basically an excuse to go vintage shopping 😉

3.) Having been a fan for a few years, I feel like every time I hear some Thunderpussy News, it’s always something impressive, be it the first time KEXP played your songs on air, Mike McCready mentioning the band during Pearl Jam’s Hall of Fame induction, the “Danger Diva” film, SXSW, etc. What do you feel has been the most “Oh my Gosh!” moment of this journey?

Whitney: Jeez there are so many. Most recently, I would say getting to meet Tanya Tucker at an event in Seattle. Holy shit. I have been a big fan since I was a little girl and she is a fucking legend. Before that it was going in the studio with Chad Smith. What an incredible person and one of the greatest drummers ever.

Something I like to do to create a through-line for all the folks I interview that I ask the prior interview subject to provide 3 blind questions for the next interviewee with no knowledge as to who I would interview next. These next 3 questions were provided by my last interview subject local drummer, Andy King. Andy asks:

4.) What’s your favorite tour food?
Whitney: Popcorn

5.) What seat do you like in the tour van the best?
Whitney: The way back

6.) Do you listen to music or do you like quiet on the drives?
Whitney: Music!!

7.) For my final question, I’ve attended the Thunderpussy New Year’s Eve show for the past 4 years. The line up this year looks insane and I know it’s going to be another great time. If you were going to pitch the show to someone who had no idea who you or anyone on the line up were, what would you say, what should they expect, and what set this year’s show apart from other years?

Whitney: Well, speaking of costumes, I am especially excited for mine this year 😉

We are experimenting with color, lights, and fog a bit more. I’m very excited for what our lighting designer is working on!! Also, musically, we are playing a LOT of new stuff which is always very exciting for us. We consider these New Years shows to be the one time each year that we can really put together the stage show the way that we want it, all the elements that we can’t afford to take on the road (yet!), so it’s like an incubator for future ideas. We always try to push ourselves on NYE.

I have to thank Whitney and Molly for taking the time to answer my questions. Check out Thunderpussy’s debut album Thunderpussy and their latest EP Milk It. For more Thunderpussy news follow them on social media and keep an eye out for future Thunderpussy events near you

CakeInTheRain206’s 15 Best Photos of 2019

December 27, 2019 — Leave a comment

This blog is an offshoot of my Instagram: Cakeintherain206. I wanted to practice my writing skills alongside my photography skills. Instagram is a great platform to practice both writing and photography skills, but long form writing should be done on a blog. All the photos on my posts, except for some of the promo images provided by the artists were taken by me with my cell phone. To check out more of my photos and videos, check out my Instagram: Cakeintherain206. Here are 15 of my favorite shots from the year:

Greta Van Fleet – 1/10/19 – The Paramount

Amyl and The Sniffers – 3/18/19 – Barboza

Tacocat – 6/8/19 – The Showbox

The Comet is Coming – 6/20/19 – Barboza

Mitski – 7/20/19 – Capitol Hill Block Party 2019

Bear Axe – 7/20/19 – Capitol Hill Block Party 2019

Fucked and Bound – 8/24/19 – Linda’s Fest 2019

Sol – 8/31/19 – Bumbershoot 2019

Kolars – 8/31/19 – Bumbershoot 2019

Starcrawler – 10/9/19 – The Crocodile

Banners – 10/13/19 – Chop Suey

Grizz – 10/17/19 – The Paramount

Maiah Manser – 10/30/19 – Barboza

The Paranoyds – 11/6/19 – Barboza

Crushed PBR – 11/22/19 – Lost Lake Cafe

“More voices mean more expression and for us that can only be a good thing.” 7 Questions with The Brook & The Bluff

November 4, 2019 — Leave a comment

From Birmingham, Alabama, Indie folk band The Brook & The Bluff are coming to Seattle Tuesday night (11/5). The first time I heard The Brook & The Bluff, I had let Youtube go on autoplay while working remote. The band’s smooth cover of the Childish Gambino song “Redbone” came on and I was impressed. Listening to the band’s more recent offerings, songs like “Everything is Just a Mess” or “Hallways“, it’s hard not to get drawn in by the vocal magic this band seems to emanate. With the release of their first full length album “First Place”, I had an opportunity to interview all four members of the band, Guitar player Alex Bolton, drummer John Canada, bassist Fred Lankford (all from Mountain Brook, Alabama), and vocalist/key and guitar player Joseph Settine (from Bluff Park, Alabama). Here’s my short interview with The Brook & The Bluff:

1.) Most interviews I’ve read, talk about the origins of the band name, The Brook & The Bluff. I think it’s a great name. You’re quoted as saying, “I think we will always claim ourselves as a Birmingham band no matter what, it’s inherent in the name.” Was that always the intention of the name, The Brook & The Bluff? Were there any rejected names that as a group you thought up, that still stick out today?

The Brook & The Bluff was definitely always intended to call back to where we’re from. When we started performing under that name, it was just Alec and I (Joseph) playing acoustic cover songs in Auburn, and it was actually the first name that we came up with. There had been another band we were in during our first couple years of school that was called The Freewheelers, and we considered that but ultimately wanted to be something new.

2.) I read that each band member has a choir background and in each song, there is an emphasis on the vocals. How does having a band where each member has a choir background affect the songwriting process? Would you say it’s an advantage or at times can it be a hindrance?

It is absolutely an advantage at all times. The voice is our only instrument that’s actually in your body, so we think it’s the most expressive when it comes to all of the different textures in the music. More voices mean more expression and for us that can only be a good thing. It really affects the songwriting process just as far as making sure we always have room within the song for more voices.

3.) I checked out the music videos featured on your YouTube channel. In one sense, some videos are simplistic in that it’s footage of the band performing the songs in what looks like a studio, however, a common trait is the unique filming style which mixes filters and at times a type of pinhole lens. It contributes an almost dreamlike quality to the video and really adds to the song. Where do the concepts for your videos come from? Is there a feeling you’re trying to evoke through these videos?

We originally wanted to try and have some type of performance video for the first three singles with a similar kind of thread visually, but have them shot in different places, so we reached out to our friend Drew Bauml to see if he’d like to shoot them and then gave him the space to create that dreamy aspect that you’re talking about. I really believe in letting people have as much room to create as possible, and we don’t know the ins and outs of filming, so we really let him run with it – sent him the songs and he was off.

These next 3 questions were provided by my last interview subject, Hip Hop artist Nick Weaver. Nick Weaver asks:
4.) Social media is a must for all DIY artists. Do you work to balance how much social media time you have every day? If so, what steps do you take?

Social media definitely is super important, which can sometimes be overwhelming for an artist. Our philosophy is basically not oversharing and staying genuine. People’s feeds are overflowing with so much of that “content” every day, so we don’t want to be part of all that noise and want to focus on the highlights and most important pieces to share.

5.) Name one artist who’s no longer alive that you wish could have seen perform. Why?

Donny Hathaway… and his live record is exactly why.

6.) Favorite pizza spot in your hometown?

Our favorite spot in Nashville, where we currently live, is Five Points Pizza. As for Birmingham that’s probably up for contention… Davenports, Salvatores and Tortugas are all really really great tho.

7.) As my final question, as a band you folks enjoy trying the local cuisine and beers of each place you stop at while on tour. What city has the best food? What city has the best local beer? (Please include recommendations, if possible)

Our favorite food city is definitely Austin, Tx. Our friend and album art designer/designer for everything we do lives there and he’s taken us to so many places. I think the place we went to with the best pasta I’ve ever had is called Pettrucci’s. We also went to a taco truck out of an old school bus, I don’t remember what that was called. The best local beer city I think has to be Asheville, North Carolina and you could have any beer from there and it will be good.

I have to thank The Brook & The Bluff for taking the time to answer my questions. I really hope you enjoy what Seattle has to offer in food (I recommend snacking on stuff at Pike Place Market), and what we have to offer in beer (can’t go wrong checking out the bars and breweries around Capitol Hill). Check them out tomorrow night at the Columbia City Theater, and check out their album “First Place” wherever you get your music.

“One fan at a time.” 7 Questions with Nick Weaver

October 26, 2019 — Leave a comment

The first time I saw Nick Weaver perform was on a Thursday night at the Vera Project.

He was the opening act for another local hip hop group, New Track City. The crowd for Weaver’s set was small at first, but once he got on that mic it quickly grew. If you ever get the opportunity to see Weaver perform live, be prepared for a level of lyrical fire you rarely hear in hip hop acts today. Since that initial performance, I’ve seen Weaver kill it at every show of his that I’ve attended. I’ll usually bring a friend or two to his shows, and Weaver never fails to impress. I had the opportunity to ask him a few questions. Here’s my short interview with Nick Weaver:

Lets start with something a little easy. One of my favorite Northwest Hip Hop songs is Macklemore’s “The Town”.
1.) The opening line of “The Town”, First memory of Seattle Hip Hop?

Nick Weaver: Not pertaining to Seattle, but first time seeing hip hop in Seattle was Jurassic 5 at Bumbershoot back in 2001. They played in Memorial Stadium, such a great thing to see as a kid.

I read an older interview of yours from January 2015, where you mentioned that your big four of hip hop were Nas, Biggie, Jay Z, and Eminem. It’s been nearly 5 years since that article was published.
2.) Would you still say those are your big four and would you also say that those artists have had the most influence on your sound?

I definitely still think those 4 artists are the most influential towards my original style. To be honest, these days my sound evolves to something different everyday. The list of artists currently influencing music could be Hot Chip on one day, or Saba on another. Lol. It’s a rollercoaster.

I read one of your artist bios and your experience as a recording artist sounds fascinating. You went from mass producing your own first album onto one of those 100 CD spindles and then selling each one for $2 a CD, to getting millions of plays across streaming sites.
3.) Having experienced the transition from burning your own CDs to Streaming, what advice would you give artists today attempting this similar almost DIY approach?

I hear lots of my peers saying “I just don’t understand why Spotify isn’t giving me love.” It’s no question their music is great. But you absolutely have to have that fanbase that’s LOOKING for your stuff. You do that by playing as many local shows as you can, having engaging social media, and keeping a continuous release stream. Oh, and having money to invest in sponsored ads 🙂

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These next 3 questions were provided by my last interview subject, the band Moon Palace. Moon Palace asks:
4.) What is your favorite road snack?

Nutter Butters. It’s not even close. Nutter Butters are the best thing ever. That sugary peanut butter is making my mouth water as I type this.

5.) Favorite venues to play at?

Locally I really love the stage at Neumos, such a great revamp they did a couple years back. The Crocodile’s sound and room layout is heavenly.

6.) What is your dream band to open for?

Jungle. I absolutely love this band and their live show is so incredibly inspiring. They are a massive influence on where my music is heading.

7.) For my final question, I follow you on Instagram and every now and again you talk about a love for coffee. Where can I find the best latte/cup of coffee in Seattle, and also what was the best cup of caffeine you’ve ever had (be it the beans, the preparation, etc. what made it special)?

Bruh ok, this is my favorite question! In Seattle, it’s Porchlight Coffee and Slate. Those are my top two. My FAVORITE, FAVORITE coffee shop is Pallet Roasters in Vancouver, BC. Their Benchmark espresso roast is perfection. However, the BEST cup of caffeine I ever had? Portland’s Albina Press. I had an almond milk latte. The dude working there pulled an incredible shot of espresso. Crema so thick it looked mud on top. Damn.

I have to thank Nick Weaver for answering my questions and giving me a new coffee place to try out. Check out his website (thenickweaver.com), and check out his latest singles “Lund” and “Meyers Briggs“.

“We all turn to our communities in darker times and making art feels healing and more important than ever.”: 7 Questions with Moon Palace

August 23, 2019 — Leave a comment

Shadowcast

Recently, I was given the opportunity to preview the latest album “Shadowcast” from Seattle indie rock band, Moon Palace. Twin sisters Cat and Carrie Biell alongside bandmates, Jude Miqueli, and Darcey Zoller create a psychedelia tinged, dusky, 41 minute kind of dream landscape that’s simply captivating.

The album was like the progression of a day in that songs at the beginning of the album like “Bold” and “Gamma Ray” were energetic, but eventually the album faded into this meditative reflection, culminating in more subdued songs like “Embers” which felt like gathering around a fire at night. If there was any other way I would describe “Shadowcast”, it felt like the soundtrack to a long drive outside of the city. Like I got in my car in the morning, watched my landscape change around me, and eventually, I’m night driving. I started kind of hyped for this drive, but eventually, it’s just me and my thoughts. That’s what this album does, it provides a space to reflect.

“Shadowcast” by Moon Palace will be released on August 23rd. In anticipation of the album’s release I was fortunate enough to be given the chance to ask the band a few questions. Here’s my short interview with Moon Palace.

1.) What was the inspiration for “Shadowcast”? Was there a particular vibe you were trying to create?
Jude: We made it over the course of a year. Each week we would open ourselves up to what sounds were coming through. I think the record evolved with the changing seasons. For much of the year, Seattle is dark and partly cloudy so that may be why there is a bit of an ominous presence. Once summer hit we wanted to make brighter songs and that’s when “Gamma Ray” emerged. On practice days I’d listen to music on the way to work while riding the bus at 6 AM when it was dark out and text the group what I was listening to. They would text tracks back throughout the workday. Later that night we’d get together, talk about the sounds we wanted to make and get creative. “Shadowcast” was Talking Heads influenced, “Stop When It Hurts” was Sonic Youth, “On the Level” was The Cure, “Bold” was influenced by The Gossip. In the end, I don’t think the songs sound like any of those bands because we weren’t trying to replicate what they were doing even though they were heavy influences. With each song, I want to grow as a drummer so I try new styles or techniques and one way of learning those is by listening to other drummers.

I read an interview in City Arts Magazine, that one of the main things that drew members of the group to Seattle was how queer-friendly the city was. A quote in the article said that you like how Seattle is a “sanctuary city” and that the band was making “sanctuary music”.
2. I like the idea of “sanctuary music”, but would you mind expanding on that? How would you define “sanctuary music”?
Jude: A sanctuary is a place of refuge or safety. It immediately brings up the idea of church which can be triggering for queers due to having been shamed by religion. But a bird sanctuary can also bring up ideas of a nature reserve and I think our band finds solace in nature. I came here in 2006 after researching where there was queer community on the internet. At that time Seattle had anti-discrimination laws protecting workers based on gender and sexual orientation and where I was from didn’t. I think sanctuary music can be anything that makes you feel safe in a space. Growing up as a teenager in the 90’s for me that was Bratmobile, Bikini Kill, Team Dresch, and Sleater-Kinney. Now when I listen to music at home I’m mostly playing jazz.

Carrie: Cat and I lived in more homogenous suburban area like 20 mins outside of Seattle. As out, queer teenagers, we would drive out to Seattle multiple times a week to be with the community we identified with and who supported us the most. Seattle did feel like a sanctuary in that way at the time. Nowadays it feels like making music in our band is a sanctuary from the current climate in America where hate crimes are on the rise and bigots feel more emboldened. We all turn to our communities in darker times and making art feels healing and more important than ever.

The music video for the song “Hunt and Gather” is amazing. Not only because the song is so good, but visually the video watches more like a high production short film with vibrant cuts and great use of light and shadow which really bring more attention to physical elements of the performers.
3. Was the concept for this video inspired by the song, or did you have this idea of what you wanted the visual to be like as this song was being created and then created a video to best reflect that visual?
Cat: The concept for the video was inspired by the song. An epic song deserved an epic video. The video reflects the process of creating peace with the wounded and unintegrated parts of ourselves. By integrating the ego, the wounded child, the wild one in all of us, we each move through our individual journey of reflection and transformation.

(These next 3 questions were provided by my last interview, the band “Tangerine”.)
4. What’s the last book you read?
Jude: Currently Reading Pleasure Activism by Adrienne Maree Brown
Carrie: Bad Blood: Secrets and Lies in a Silicon Valley Startup by John Carreyrou

5. What was the most stressed you have been on tour and why?
Jude: When I went on a summer tour with a band called Scarves we were in an overheating van driving down I5 while California was burning. None of us had any mechanic skills which is why it was stressful. After a long drive and a mediocre show, we slept on a concrete floor in some dude’s apartment. In the end, we made it down the coast and back, had fun at the beach, and played better shows so it ended up being a good time!

Carrie: I did a west coast tour with my solo project joined by my backing band. We had great shows throughout the tour, but our show in Eugene ended up being really strange. The venue didn’t provide a PA that night and there was very little sound equipment ready even though there were four bands on this bill. One of the local bands ended up running around piecing together a sound system, which I was grateful for. After the show, some of the band members from the other bands invited all of us to some big mansion to party at because somebody was house sitting there. We wanted to take them up on the offer at first because it was a free spot to crash for the night. I felt somewhat reluctant because I was the only woman on the whole lineup of musicians that night and I didn’t see many other women around. We were about to go to the mansion, but then it turned out to be a bunch of drunk dudes all wanting us to get in a hot tub with them. Luckily the guys in my band always looked out for me and we all ended up sort of sneaking away and getting a hotel room for the night instead. I’m grateful to be playing music with more women and genderqueer folks these days 🙂

6. What were some rejected band names you almost had?
Carrie:
Desert Hearts
Wild Embers
Twin Shadow (Already Taken)
Carpet Ride (Too punk rock LOL)

7.) As a final question, I read that each of you are from other parts of the country and have performed in other groups, do you have any advice for other transplants trying to enter the Seattle music scene?
Carrie: I always think it’s a good idea to attend lots of shows and get a feel for the kind of bands and venues that our out here. Try to make friends with other bands and musicians and build a network of supportive fellow musicians who either want to play with you or book shows together. Bookers at venues don’t do as much building of bills anymore so it helps to approach some of the venues with a complete lineup or at least one other band that will bring out people. There are so many musicians and bands here so it can feel daunting to try and get out here, but if you have a few other bands or artists in your corner it really helps.

I also think it’s a great idea to make a professional recording and press them in a professional way so you have a better chance of getting on radio stations like KEXP. KEXP is awesome at supporting local bands and their reach is far and wide. It can be hard to get on their airways since they get tons of submissions, but showing up to the station or mailing an actual professional hard copy of the songs with a radio one-sheet really helps the chances of getting airplay.

I have to thank Moon Palace for providing such great answers. Check out “Shadowcast” available August 23rd, and catch Moon Palace at Clock-Out Lounge on Friday, September 20th.

5 Tips for People who “want to attend a lot of concerts and other events, while maintaining a professional career”

July 1, 2019 — Leave a comment

2017 was the first year I decided I would try to attend a live show, concert, festival, or event every single week. I attended 102 shows that year. It was so much fun, I decided to keep it going. 2018 I attended 84 shows. It’s 2019, and as of this writing I’ve attended at least 36 shows. A handful of folks at my day job know I do this, and the first question they usually ask is “How are you able to do this?”. I usually interpret that question as, how do you have the energy to keep a professional (enough) demeanor to perform at your day job, but also stay out late at these concerts and events?

The following are my 5 pieces of advice for people who “want to attend a lot of concerts and other events, while maintaining a professional career”:

5.) Plan ahead, Research, and Maintain a calendar. Maintaining a calendar is one of the best things you can do for yourself. On a weekly basis, I’ll check venue websites for shows I’d be interested in. I’ll purchase tickets months in advance and document everything in a calendar that way I know if plans conflict. If you’re trying to be professional at a job, it’s good to think ahead. I always request PTO, the Monday after a 3 day music festival because I know I’ll be exhausted and I won’t be able to perform. Make it fun for yourself (my calendar is a Thomas Kinkaide Disney Dreams calendar).

4.) Brag but don’t be a jerk about it. I think letting others know about the great show you attended the night before or letting them know about your excitement for an upcoming festival is perfectly fine, but know not everyone is having as much fun as you are. If you’re telling someone about how much fun you had or are looking forward to having and the person doesn’t seem receptive, then it’s not the worse thing in the world to not talk about it either. Brag but keep your audience in mind.

3.) You know your limits. Other than attending these events, I also go to a gym, in order to stay as physically fit as I can. In order to engage in a show properly, cheering, dancing, singing along, or even getting to the venue, it does take a level of physical fitness. I feel like people underestimate the amount of energy they use at a live event if they’re engaged the entire time. You probably blew a bunch of energy at your day job and going to a live show will only continue that energy burn. If you need to sit down at a show, leave early, or head to the back for water, you know your limits. These things are supposed to be fun, not a “Double Dare” style physical challenge.

2.) Be Nice, even if you’re tired. Speaks for itself.

1.) Set Time for yourself. You’re trying to balance a day job where you’re expected to arrive early and perform your function, with late nights having fun. The most important thing you can do for yourself is set time for yourself. Time to do nothing. Time to sleep in. Time to read. Time to be away from people. Take time to just pursue something for yourself. I usually set aside a few hours (or even a day or two) during the week where I don’t set any plans and just have alone time. I might go to one of my regular haunts (like MOHAI (above)) or I’ll just hang around my condo. Having a “reset” is never a bad thing, and setting time for yourself is always a great way to do that.

CakeInTheRain206

Having Fun in the Seattle Music Scene

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